componist
Jacobus Clemens non Papa (or Jacob/Jacques Clement) is born round 1512 in what now is Belgium or Zeeland (NL). There are no details known about his early life and education.
gerelateerde werken
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
1021 1000 perc hp vl 2vla 2vc
Psaume 122 : for mixed choir / Rens Tienstra
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Psalm 124 : for mixed choir / Kris Oelbrandt; translation by Kees Waaijman
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
Apollinische mis : voor kamerkoor a cappella, 1983 / André Douw
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
compositie
Liber I Selectorum Psalmorum : for 4 voices (Volume 1) / Various composers, assembled by Johann vom Berg; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(editor)
Berg, Johann vom
(samensteller)
Desprez, Josquin
(componist)
Bevat:
Claudin de Sermisy - Ps 1. Beatus vir qui non abiit (5’15”)
Josquin Desprez - Ps 12. Usquequo Domine (7’15”)
Josquin Desprez - Ps 14. Conserva me, Domine (6’)
Josquin Desprez - Ps 17. Diligam te, Domine (2’45”)
Josquin Desprez - Ps 18. Coeli enarrant (12’15”)
Jean Richafort - Ps 19. Exaudiat te Dominus (8’15”)
Hieronumus Vinders - Ps 22. Dominus regit me (6’45”)
Claudin de Sermisy - Ps 23. Domini est terra (6’45”)
Claudin de Sermisy - Ps 2. Quare fremuerunt gentes (10’15”)
Pierre Colin - Ps 3. Domine quid multiplicati (5’45”)
Leonhard Paminger - Ps 4. Cum invocarem (6’)
Andreas de Silva - Ps 5. Verba mea (4’45”)
Josquin Desprez - Ps 6. Domine ne in furore tuo… miserere (6’15”)
Josquin Desprez - Ps 8. Domine, Dominus noster (6’)
Josquin Desprez - Ps 10. In Domine confido (6’30”)
Nicolas Gombert - Ps 11. Salvum me fac (7’15”)
Toelichting:
Apart from a rich collection of choirbook manuscripts the Bavarian State Library (Bayerische Staatsbibliothek) contains many part-books of choral music. Many of them are originally printed in Venice (Gardano or Scotto), in Antwerp (Phalèse or Susato) or Paris (Attaignant). A smaller amount originates from Prague, Heidelberg, Nuremberg and Lyon.
The underlying collection of Psalms has been assembled by Johann vom Berg, the publisher of music and spiritual books in Nuremberg in the 16th century. Except in the works by Josquin Desprez, Claudin de Sermisy and Thomas Stolzer the music seems not to have been written for these psalms. It looks like the music already existed, while the psalm texts were added later.
Cees Wagemakers, 2019