componist
Rieteke Hölscher (1969) studied piano classical music and jazz / pop at the conservatory of the Amsterdamse Hogeschool voor de Kunsten (1987-1992). She studied with Frans van Dalen, Fania Chapiro, ...
gerelateerde werken
Eigen-wijsje Nº 2 (D-E-B) : for piano / Rieteke Hölscher
Genre:
Kamermuziek
Subgenre:
Piano
Bezetting:
pf
Orkestmozaïek : = (Orchestral mosaic), 1986/87 / Andries van Rossem
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
fl fl(pic) 2ob 2cl 2fg 2h 2trp trb 3perc pf hp str(8.8.4.2.)
Genre:
Orkest
Subgenre:
Schoolorkest; Orkest; Gemengd koor en orkest
Bezetting:
(GK4 ad lib.) 2121 3221 timp perc str 3h 3trp 3trb tb rec(s-a-t) 5acc
Erdenlicht : für Orchester / Enrique Raxach
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2222 4231 timp 2perc str
compositie
Il cibo per la Musica : a musical menu for symphony orchestra / Rieteke Hölscher
Toelichting:
Il Cibo per la Musica’ is a musical menu for symphony orchestra, food for the musical mind. I wrote the composition at request of Erik Waerts, conductor of Jeugdsymfonieorkest Bloembollenstreek.
The titles of the movements are inspired by Italian dishes, but the translation of these dishes are not always proper Italian. For example, the word “pizza” is female - but because “fortissimo” is a general musical term I took the liberty to use an incorrect conjugation for the title of the first part. Also pizza isn’t a dish that actually belong to the category antipasto. I hope the Italians may forgive me!
And although the Italian word for nuts (‘noci’) has a double meaning in Dutch (‘noten’: musical notes and nuts to eat) - the word has a single meaning in Italian. ‘Noci’ only refers in Italian to food, not to musical notes.
As with an Italian meal, one can choose from the menu, not all movements have to be played.
Each movement contains an educational element and also includes extended techniques in contemporary music - such as air sounds, keyslaps, feathered beams and indefinite events - something new and different in every movement.
Rieteke Hölscher - Kortenhoef, 2017