gerelateerde werken
Forbidden Music Regained : Volume 2
	
			Genre: 
		
		Onbekend
	
Destino: ¡Tango! (Hommage to Astor Piazzolla) : for large wind orchestra / Willem van Merwijk
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Blazersensemble (2-12 spelers)
	
			Bezetting: 
		
		picc 2fl/fl-a 2ob 5cl cl-b 2fg sax-s sax-a sax-ten sax-bar 4h 7tpt etrb-ten trb-b 3euph 3tb mar/vibr drums 2per g-bass pf/bandoneon
	
Aristos : concert voor 12 blazers, 1999 / Ludwig Otten
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Blazersensemble (2-12 spelers)
	
			Bezetting: 
		
		2222 4000
	
Grande Fantasia (metamorphosis #1); opus 72 : for saxophone orchestra / Leo Samama
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Blazersensemble (2-12 spelers)
	
			Bezetting: 
		
		2sax-s 4sax-a 2sax-t 2sax-bar 2sax-b
	
compositie
				Scherzo, Scherzino, Scherzando : for wind orchestra / Julius Hijman
			
					
										Overige auteurs:
									
									
									Hijman, Julius
									(Componist)
								
							
							Toelichting:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.