gerelateerde werken
Caprice : for piano / Martin Spanjaard
Genre:
Kamermuziek
Subgenre:
Piano
Bezetting:
pf
Le Mort Joyeux : for voice and piano / Olivier Greif; lyrics by Charles Baudelaire
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
bar pf
Trois Poèmes de Baudelaire : for soprano and piano / Robert Groslot
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
sop pf
Viens - une flûte invisible : voor sopraan en piano, 1980 / tekst: Victor Hugo, Willem van der Bilt
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
sopr pf
compositie
Drei Lieder & Wiegeliedje : for voice and piano / Martin Spanjaard; lyrics by Li Tai-Po, Clara Spanjaard-van Lier
Overige auteurs:
Leo Smit Stichting
(Samensteller)
Li T'Ai Po
(Tekstdichter/librettist)
Spanjaard, Martin
(Componist)
Bevat:
Drei Lieder: In stiller Nacht (Li Tai-Po)
Drei Lieder: Aus grünen Fluten (Li Tai-Po)
Drei Lieder: Das scheidende Schiff (Li Tai-Po)
Wiegeliedje (Clara Spanjaard-van Lier)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.