gerelateerde werken

Forbidden Music Regained : Volume 1

Genre: Onbekend

Fantasia - Rondino (con tema reale) : per violino e orchestra / André Laporte

Genre: Orkest
Subgenre: Viool en orkest
Bezetting: vn-solo 2fl/picc 2ob 4cl.cl-n 2fg cfg 4h tpt tpt-b hp cel pf 4timp 2perc str

Wavespace : Octet with live electronics and live video / Yannis Kyriakides

Genre: Multimedia
Subgenre: Gemengd ensemble (2-12 spelers) met multimedia
Bezetting: pf fl-a vn vibr cl-b vc sax-a db tape

Temple of love : for voice, two obligato instruments and basso continuo, 1753 / ed. by Robert L. Tusler, Willem de Fesch

Genre: Vocaal
Subgenre: Zangstem en instrument(en); Zangstem en instrument(en); Zangstem en instrument(en)
Bezetting: voice 1-2instr b.c. ; voice fl b.c.

 

compositie

Two Fanfares : for 3 trumpets and 4 trombones / Hans Lachman

Uitgavenummer: 21333
Genre: Kamermuziek
Subgenre: Fanfare
Bezetting: 3tpt 4trb
Bijzonderheden: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science.
Compositiejaar: 1948, 1953
Status: volledig gedigitaliseerd (direct leverbaar)

Auteur(s):
Leo Smit Stichting (Partner)
Lachman, Hans (Componist)
Bevat:
Fanfare (1948)
1 Mei-Fanfare (1953)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

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