gerelateerde werken

Sensitivity : for saxophone quartet / Man-Ching Yu Donald

Genre: Kamermuziek
Subgenre: Saxofoon
Bezetting: sax-s sax-a sax-t sax-bar

Het oerwoud : for two saxophone players and ten percussionists, 1991, (rev. 1993) / André Douw

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: 2sax 10perc

Scouts of mars : for 5 instruments, 1978, new version 1983 / Chiel Meijering

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: vibr 2g cemb vl

Let's go out for a drive (and pollute the air) : for a trombonist and three pianists accompanied by a conductor, revised 1974 version / M.W. Bon

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: trb 3pf

compositie

Lost Civilization : for chamber ensemble / Man-Ching Yu Donald

Overige auteurs:
Yu, Donald (Componist)
Toelichting:
The piece is inspired by the Chinese modern artist Zhang Guanghai’s painting Lost Civilization. It is the first time to associate music with the particular painting. The beginning of the music initiates with haunting dissonances generated by strings as well as chromatically-blended woodwind sections, symbolizing the dark and profound color characterized in the painting. Gradually surging into the climax at the dramatic and micropolyphonic-oriented central section where all the instruments culminate at high registrations, here the music imaginarily generalizes the motion of the bird in the painting. After finishing the climax, the music transforms into a rather mysterious moment where harmonics take place at the strings, featuring the gaps and lines emerged in the painting. Besides symbolizing the painting, the music reflects my intrigued profound feeling towards the recent political situation in Hong Kong where only true democratic freedoms are strived for as if the bird in the painting surges into the sky, but not being controlled and bounded by the dark boundaries. All in all, the music is characterized by the utilization of extensive chromatic elements as elaborated melodic lines and micropolyphonic elements, while fusing with harmonics, dissonance and Chinese color including Peking operatic effect.
Man-Ching Donald Yu