componist

Yu, Donald

Man-Ching Donald Yu, Hong Kong born composer and pianist. The style of his recent music is characterized by amalgamation of post-minimalist and modernist traits which refine his latest personal voice, ...

gerelateerde werken

Unravelling : for orchestra / Man-Ching Donald Yu

Genre: Orkest
Subgenre: Orkest
Bezetting: 2fl 2ob 2cl 2fg 4h 2tpt 2trb trb-b tb timp 2perc cel str

A Journey Through : for piano / Benjamin de Murashkin

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

Piano Book I : for piano / Olivier Greif

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

Leafage : for piano, 1980 / Willem de Vries Robbé

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

 

compositie

Expansion : for piano / Man-Ching Donald Yu

Uitgavenummer: 21569
Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf
Tijdsduur: 9'00"
Aantal spelers: 1
Compositiejaar: 2018
Status: volledig gedigitaliseerd (direct leverbaar)

Toelichting:
Expansion is a scientific phenomenon in which particles transform from one state into any state upon gaining substantial energy; for example, the static solid state of ice transforming into liquid state and finally being vaporized. The music symbolizes the static state at the beginning by initiating a single pitch c with sextuplet figure. In addition, later, it transforms into various chromatic materials by means of the gradual insertion of the pitches Db, D, B, Bb, and so on while exhausting all the chromatic notes. Soon, the first section reaches its climax where canonic devices are employed between different parts in different transpositions with different transformations of rhythmic figures being juxtaposed together. The central section brings back the static state that is highly contrast in terms of density and utilization of pitches, sparse materials made up of open fifth chords gradually juxtapose together for generating chromatic sound. The last section recapitulates the repetitive materials of the preliminary section in which music gradually expands by means of intermingling of different pitches for substantial chromatic effects. The piece ends in extreme high registers in which notes are barely audible.
Donald Yu

Koop
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