gerelateerde werken
Eruption : for orchestra / Edward Top
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2fl(picc) 2ob cl cl-b 2fg 4h 2trp 2trb trb-b timp 3perc hp str
Two Wyatt Songs : for soprano, flute, violoncello and piano / Klaus Kuiper; text: Sir Thomas Wyatt
Genre:
Vocaal
Subgenre:
Zangstem en instrument(en)
Bezetting:
sopr fl pf vc
Genre:
Vocaal
Subgenre:
Zangstem en instrument(en)
Bezetting:
high g
Two love poems : for voice, clarinet, viola, cello and harpsichord / Walter Hekster
Genre:
Vocaal
Subgenre:
Zangstem en instrument(en)
Bezetting:
voice cl vla vc cemb
compositie
Farewell Songs : for countertenor, Baroque ensemble, and Chinese instruments / Edward Top
Auteur(s):
Top, Edward
(Componist)
Toelichting:
The Farewell Songs present an alternate history of true exchange between ancient Chinese instruments and the early-music practice of the European Baroque ensemble on the shores of Canada in 2024.
In addition, a countertenor sings texts from Tang dynasty poets Mèng Hàorán and Wang Wei. These texts are freely interpreted and translated into English by the composer. Earlier translations of these texts were used by Gustav Mahler in his song cycle Das Lied von der Erde. Part of the idea in the Farewell Songs is how French and German translations (as available to Mahler 120 years ago), numerous English versions, and now a direct Google translation of the original Chinese, have created a multiplicity of references and interpretations of the texts.
The original Chinese poems are narrated by erhu player Lan Tung during the performance, bringing it back to the ‘purity’ of its original intentions. Similarly, the music oscillates between Chinese and Baroque music, and contemporary musical elements; between the accuracy of historic practice and the freely creative (re)-interpretation of it.