gerelateerde werken
Draaidans : opus 75, voor blazers, slagwerk, piano en contrabas, 1962 / Lex van Delden
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
0000 5sax 0431 perc xyl pf cb
Op het puin : for speaker, 3 choirs and wind orchestra / Robert de Roos; text by Meia Kaas-Albarda
Genre:
Vocaal
Subgenre:
Gemengd koor en orkest
Bezetting:
spreekstem VK MK KK 2picc 2fl 2ob 2cl 2fg 4h 4tpt 3trb tb timp 2perc db
Pros Romaious : voor tenor, bas, spreekstem, koor en orkest / Jan van Dijk
Genre:
Vocaal
Subgenre:
Gemengd koor en orkest
Bezetting:
recit ten bas GK4 2222 2210 perc str
Ode aan Sappho : per soli, coro e orchestra / [testo] (P.C. Boutens), Henri Zagwijn
Genre:
Vocaal
Subgenre:
Gemengd koor en orkest
Bezetting:
sopr alt ten bas GK8 2322 4210 timp perc cel hp str
compositie
De Vogel Vrijheid: Oratorium in drie delen : voor baritonsolo, sopraansolo, kinderkoor, gemengd koor en orkest / Lex van Delden; text Jan Willem Schulte Nordholt
Overige auteurs:
Delden, Lex van
(Componist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades
numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.