componist
Bertus van Lier speelt een belangrijke rol in het Nederlandse muziekleven van de 20ste eeuw als componist, dirigent, docent en publicist. Hij componeert binnen een persoonlijk idioom, dat tot uiting ...
gerelateerde werken
Variaties op een Uilenspiegelthema / door 11 Nederlandse componisten
Genre:
Orkest
Subgenre:
Viool en orkest
Bezetting:
3222 4330 timp perc (hp ad lib.) str 2vl-solo
Om boer te wees : voor zangstem en piano (of orgel) / Israel Olman
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
zang pf/org
Amore Amore (let's do it some morè) : for soprano and piano / words and music: Chiel Meijering
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
sopr pf
De teere groene bladerkens : for voice and piano / Sem Dresden; words by Richard de Cneudt
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
zang pf
compositie
A tfile fun a Ghettojid (A Prayer of a Ghetto Jew) : for low voice and piano / Bertus van Lier; text Rywa Kwiatkowska
Overige auteurs:
Kwiattkowska
(tekstdichter/librettist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.