componist
Henriëtte Bosmans wordt beschouwd als één van Nederlands belangrijkste componisten uit de eerste helft van de 20e eeuw. Als pianiste en componiste maakt Bosmans deel uit van verschillende kamermuziekensembles in ...
gerelateerde werken
String Quartet / Henriette Bosmans
Genre:
Kamermuziek
Subgenre:
Strijkkwartet (2 violen, altviool, cello)
Bezetting:
2vl vla vc
Concertino : voor fluit en klein orkest / Rud. Mengelberg
Genre:
Orkest
Subgenre:
Fluit en orkest
Bezetting:
0121 2100 str fl-solo
Toamna : ballata moldava, per siringa ed orchestra, 1982 / Willem Strietman
Genre:
Orkest
Subgenre:
Fluit en orkest; Viool en orkest; Mondharmonica en orkest
Bezetting:
2222 sax-a 2110 2perc cel hp str panfl-solo (or other instr)
Fruit of Desire : for flute (piccolo) and symphony orchestra / Chiel Meijering
Genre:
Orkest
Subgenre:
Fluit en orkest
Bezetting:
fl/picc-solo 3fl(pic) 3ob(eh) 2cl cl-b 4h 4trp 4trb tb timp perc mar glock vibr pf hp str
compositie
Concert Piece : for flute and chamber orchestra / Henriëtte Bosmans
Overige auteurs:
Leo Smit Stichting
(partner)
Rudi Marinus van Dijk Foundation
(partner)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.