componist
Op aandringen van zijn ouders studeert Nico Richter medicijnen, maar zijn liefde ligt bij de muziek. Vanaf jonge leeftijd krijgt hij vioolles en zijn compositietalent openbaart zich vanaf zijn dertiende ...
gerelateerde werken
Forbidden Music Regained : Volume 2
Genre:
Onbekend
Solvej : kameropera in een akte en zeven scènes, 1990 / libretto van Monic Jansen, Jan Guichelaar
Genre:
Opera, muziektheater
Subgenre:
Opera
Bezetting:
2sopr sopr-m ten bar bas 2recit GK4 fl trb 2perc vl vc hp tape
Genre:
Opera, muziektheater
Subgenre:
Opera
Bezetting:
9soloists GK4 2222 4331 timp 2perc hp str on stage: cl acc vl
The fog : chamber opera in one act, 1987 / script by Lewis Turco, Walter Hekster
Genre:
Opera, muziektheater
Subgenre:
Opera
Bezetting:
sopr ten recit 1110 1110 2perc hp 2vl vla vc cb
compositie
Amorys : Chamber opera in one act / music: Nico Richter; libretto: Hendrik Lindt
Overige auteurs:
Leo Smit Stichting
(samensteller)
Lindt, Hendrik
(tekstdichter/librettist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.