gerelateerde werken
Concerto for electric violin : for solo violin and ensemble, 1992 / James Fulkerson
Genre:
Orkest
Subgenre:
Viool en groot ensemble
Bezetting:
2010 2sax 2121 perc el.g g-b pf vl-solo
Violin concerto no. 1 : for violin and 15 instruments, 1990, revision 1998 / Micha Hamel
Genre:
Orkest
Subgenre:
Viool en groot ensemble
Bezetting:
4rec-a 0300 0000 port 5vl 2vla vl-solo
Boréal : voor viool en slagwerk, 1980/81 / Maarten Bon
Genre:
Orkest
Subgenre:
Viool en groot ensemble
Bezetting:
16perc vl-solo
Roads to Everywhere : A concerto for violin and ensemble / Joey Roukens
Genre:
Orkest
Subgenre:
Viool en groot ensemble
Bezetting:
vln-solo fl(picc) ob(eh) cl fg h trp trb 2perc pf cel/synth 2vln vla vc db
compositie
Concerto for electric violin : for solo violin and ensemble, 1992 / James Fulkerson
Overige auteurs:
Fulkerson, James
(Componist)
Bevat:
Movement I
Movement II
Cadenza
Finale
Toelichting:
Program note (English): Formally, the concerto uses a relitatively traditional scheme of fast slow fast - although experientially, the musical time sense of the Prologue and its nearly identical Epilogue seem to be slow movements, thereby forming a six movement work of slow-fast-slow-fast-fast-slow. The type of material chosen for the first and third movements is perhaps unusual for a 'traditional concerto', however, in that the sound material of first fast movement is the sound world of large free jazz groups and the world of electric guitar/trash metal. Movement three uses a row of pitches as a static sound block which is sculpted, repeated and projected in the time and pitch space. This movement is not 'developmental'; it is not discursive musical thought. The cadenza is an initial statement of the material for this movement. The central slow movement attempts to be a type of 'Escher' melody in which the perception of musical time is meant to be discursive except that the melody continually turns
back upon itself leaving the listener 'back where he started.'- JAMES FULKERSON