gerelateerde werken
String quartet No. 5 : with electronic tape ad lib. / James Fulkerson
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Strijkkwartet (2 violen, altviool, cello) met multimedia
	
			Bezetting: 
		
		2vl vla vc (tape ad lib.)
	
Violin Concerto : for violin and chamber orchestra / Michael Fine
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Viool en groot ensemble
	
			Bezetting: 
		
		vn-solo fl ob cl fg h 2vn vla vc db
	
Foci : for violin and chamberensemble, (1965-66) / Walter Hekster
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Viool en groot ensemble
	
			Bezetting: 
		
		1110 1110 2perc cel hp cb vl-solo
	
Concerto da camera : for violin and chamber ensemble, 1993 / Carlos Micháns
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Viool en groot ensemble
	
			Bezetting: 
		
		1111 1110 perc pf 2vl vla vc cb vl-solo
	
compositie
				Concerto for electric violin : for solo violin and ensemble, 1992 / James Fulkerson
			
					
										Overige auteurs:
									
									
									Fulkerson, James
									(Componist)
								
							
							Bevat:
						
						
						Movement I
						Movement II
						Cadenza
						Finale
						
							Toelichting:
						
						
						Program note (English): Formally, the concerto uses a relitatively traditional scheme of fast slow fast - although experientially, the musical time sense of the Prologue and its nearly identical Epilogue seem to be slow movements, thereby forming a six movement work of slow-fast-slow-fast-fast-slow. The type of material chosen for the first and third movements is perhaps unusual for a 'traditional concerto', however, in that the sound material of first fast movement is the sound world of large free jazz groups and the world of electric guitar/trash metal. Movement three uses a row of pitches as a static sound block which is sculpted, repeated and projected in the time and pitch space. This movement is not 'developmental'; it is not discursive musical thought. The cadenza is an initial statement of the material for this movement. The central slow movement attempts to be a type of 'Escher'  melody in which the perception of musical time is meant to be discursive except that the melody continually turns
back upon itself leaving the listener 'back where he started.'- JAMES FULKERSON