gerelateerde werken

Toccare for soundtracks and harpsichord : 1988 / Ton Bruynèl

Genre: Kamermuziek
Subgenre: Klavecimbel; Elektronica met verschillende instrumenten; Klavecimbel met multimedia
Bezetting: cemb tape

Le temps tricheur : for mixed choir and soundtracks, 1994 / Ton Bruynèl

Genre: Vocaal
Subgenre: Gemengd koor; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: GK4 soundtracks

Schweigsam über der Schädelstätte öffnen sich Gottes goldene Augen : voor 8 koorgroepen , 10 instrumentale groepen en 8 klanksporen, opus 48, 1997 / tekst: Georg Trakl, Huub Kerstens

Genre: Vocaal
Subgenre: Gemengd koor en groot ensemble; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: GK8 1111 2121 2perc vl vla vc cb tape

Nostos : for octet, singer and soundtracks, 1996 / words taken from Anamesa stin Thalassa, folk song from Thrace, Calliope Tsoupaki

Genre: Vocaal
Subgenre: Zangstem en instrument(en); Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: voice rec-s cl-b trb perc el.g pf vl cb 2tape

compositie

Le jardin : for woman's voice, alto flute, cembalo and soundtracks, 1993 / Ton Bruynèl

Overige auteurs:
Schierbeek, Bert (Tekstdichter/librettist)
Bruynèl, Ton (Componist)
Toelichting:
Program note (English): Le Jardin was composed as a farewell to Pedraza de la Sierra in the province of Segovia in central Spain. The song of the crickets and my longing for lush green landscapes, Monet's gardens and a poem Bert Schierbeek wrote for me, describing my life in Spain, all provided inspiration for this piece. I completed Le Jardin in desolate surroundings in Drente (The Netherlands), where life and nature are kept on a short rein. I consoled myself with wild flowers I planted. The piece is like an impressionistic painting with a new palette, an ode to Monet. Le Jardin and what it represented for me convinced me eventually to find a house in the southern part of the Bourgogne. - TON BRUYNÈL