gerelateerde werken
24 capriccio's voor viool solo
Genre:
Kamermuziek
Subgenre:
Viool
Bezetting:
vl
Goldrush concerto : for percussion duo and orchestra / JacobTV - Jacob Ter Veldhuis
Genre:
Orkest
Subgenre:
Slagwerk en orkest
Bezetting:
pic(fl) 2fl 2ob 2cl 2fg 4h 3trp 2trb trb-b tb hp pf str 2perc-solo
Helios : for 4 percussionists and large orchestra / Valery Voronov
Genre:
Orkest
Subgenre:
Slagwerk en orkest
Bezetting:
4perc-solo 3fl(picc) 3ob 3cl 3fg 4h 3tpt 3trb tb str
Back to Back : Double concerto for percussion, piano and symphony orchestra / Svyatoslav Lunyov
Genre:
Orkest
Subgenre:
Slagwerk en orkest
Bezetting:
pf-solo perc-solo 3fl(picc) 3ob 3cl(cl-b) 3fg(cfg) 4h 3tpt 3trb tb perc str
compositie
The Laws of Science No. 2 : for 2 timpani and orchestra / JacobTV - Jacob Ter Veldhuis
Overige auteurs:
Veldhuis, Jacob ter
(Componist)
Toelichting:
The composition is derived from a section of the electronic work from 1992, which is based on statements by British physicist Stephen Hawking. Hawking is often regarded as the Einstein of our time. His ideas about God, cosmos, time and space are as fascinating as they are controversial:
“God would not have had any freedom to chose how the universe began. Instead, I would use the term 'god' as the embodiment of the laws of science. We are such insignificant creaturen on a minor placet of a very average star on the outer suburbs of one of a hunderd-thousand-million galaxies... So it is difficult to believe in a god that would care about us if he even noticed our existence.”
The certainty with which Hawking makes his statements is further emphasised by the fact that—almost completely paralysed and unable to speak—he communicated through a speech synthesizer that sounded like the voice of a robot.
Timpani are perhaps the most "certain" instruments in the orchestra: Timpani never "doubt" and always sound very decisive, like scientific axioms. Could it be that science is so fixated on itself that its practitioners, like Hawking, focus more on the laws of science than—what seems more logical to me—the exploration of the laws of nature? Hawking even goes so far as to regard "the laws of science" as a metaphor for God. In this mini concerto I wanted to musically depict the dogmatic and simultaneously contradictory nature of this, to me, tragicomic title.