gerelateerde werken

Hinge : for ensemble, 1996 / Kazuhiko Suzuki

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl cl trp hp pf vl vla vc

Seven Portraits (Archangels) : Reduced version for alto saxophone and string quintet / Alexander Manotskov

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: sax-a 2vln vla vc db

Victory of the dead point : = (Überwindung des toten Punktes), for saxophone and tuba, 1994 / text by Erich Fried, Bernard van Beurden

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: sax tb

Musica : per flauto dolce soprano e clavicembalo / Hendrik de Regt

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers); Blokfluit en toetsinstrument
Bezetting: rec-s cemb

 

compositie

Hinge : for ensemble, 1996 / Kazuhiko Suzuki

Uitgever: Amsterdam: Donemus, 1999
Uitgavenummer: 09875
Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl cl trp hp pf vl vla vc
Bijzonderheden: Voor fluit, klarinet, trompet, harp, viool, altviool, cello en piano. - Opgedragen aan de ouders van de componist. - Cop. 1998. - Tijdsduur: 9'08''
Tijdsduur: 10'00"
Aantal spelers: 8
Compositiejaar: 1996
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Suzuki, Kazuhiko (Componist)
Toelichting:
Program note (English): This was composed as the first piece of my "HINGE" series. I started this series from a fascination of the work by Marcel Duchamp, "Door: 11, rue Larrey". He let a carpenter make this door in his apartment in Paris in 1927. The door served two doorways so it would always be simultaneously opened (in the one room) and closed (in the other room). I suppose that this "opened and closed at the same time" situation served as a metaphor for the way he led his daily life, also created fascinating changes in space and time in his apartment. My "HINGE" series is based on this simultaneousness created by simple alteration of space and time in music. I use fifth interval and its inversion fourth as "opened" intervals, and they pile up to create "closed" intervals including the basic "opened" intervals that I mentioned. There are thirty-five sections in total and the structure is planned symmetrically in each section. The sections have contrasting characters in features like continuation
and alteration. - KAZUHIKO SUZUKI

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