componist
Roderik de Man begint betrekkelijk laat met componeren, maar ontpopt zich al snel tot een zeer productief componist. Hij legt zich vooral toe op kamermuziek en werken voor kleinere ensembles, ...
gerelateerde werken
Ecoute, écoute! : for bass clarinet and sound tracks, 1999 / Roderik de Man
Genre:
Kamermuziek
Subgenre:
Klarinet; Elektronica met verschillende instrumenten; Klarinet met elektronica
Bezetting:
cl-b tape
Genre:
Orkest
Subgenre:
Gemengd koor en orkest
Bezetting:
GK MK orch
The eternal return : = De eeuwige terugkeer = Die ewige Wiederkehr, for orchestra / Hans Kox, 2006
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
pic 2fl 2ob 2cl 2fg cfg 4h 3trp 3trb tb 3perc str
Ballade : for guitar and harp, 1989 / Jurriaan Andriessen
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-11 spelers)
Bezetting:
g hp
compositie
Vanishing points : for organ and quadraphonic tape : 2000 / Roderik de Man
Toelichting:
The meaning of the term 'vanishing point' is explained by the Webster's College Dictionary as: 1) a point of disappearance or cessation, 2) the point of which receding parallel lines appear to converge. In this composition the title refers to the distribution and trajectory of sounds in the tape part (cd) in respect to the organ. These sounds were sometimes derived from the real organm or created by means of electronic. Then these families of sounds are combined with thel live performances in ways, which aim to merge the two elements into one. The movement of sounds plays an important role; it attempts to the 'choreography' in sound with the live instrument. A video-camera films the display of tthe CD player, this image is visible to the organisation a TV monitor. In this way synchronisation with the tape is realised. The tape is available in 3 versions: 1) the original quadraphonic version on DA 88 tape 2) a 2 track version on CD 3) tracks 1, 2 and tracks 3, 4 on seperate CDs.