gerelateerde werken
Symphony N° 7 : for symphony orchestra / Luc Brewaeys
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2fl 2ob 2cl 2fg 2h 2trp trb tb 3perc hp pf cel str
Rasenmäher : for large jazz orchestra and voice / Renard A. Aust, lyrics by Markus Berges
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
zang sax-s 2sax-a 2sax-t sax-bar fg 5trp 4trb trb-b tb 2perc g-s pf db
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
ten fl cl-b timp 4perc pf str
Spring at Enoshima : for soprano and ensemble : 2005 : text based on Japanese Surimono / Wim Laman
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr fl(pic) ob cl(cl-b) h perc hp pf g man 2vl vla vc cb
compositie
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Overige auteurs:
Brewaeys, Luc
(Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.