gerelateerde werken
Genre:
Vocaal
Subgenre:
Zangstem en instrument(en)
Bezetting:
sopr-mezzo fl(fl-a, picc) vc hp 3pf
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
bas 0011 2sax 1010 crt 2perc g hp pf 2vl vla vc cb
Stap verder : for female voice, tapdancer and big band / Vanessa Lann; text by Emma Lazarus
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
zang cl-b fg 2sax-a 2sax-t 5tpt 5trb tb 2perc pf tapdancer g-e g-b
Rasenmäher : for large jazz orchestra and voice / Renard A. Aust, lyrics by Markus Berges
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
zang sax-s 2sax-a 2sax-t sax-bar fg 5trp 4trb trb-b tb 2perc g-s pf db
compositie
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Overige auteurs:
Brewaeys, Luc
(Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.