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Genre: Kamermuziek
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl(picc, fl-a) ob cl cl-b fg h trp trb 2perc hp pf 3vl 2vla 2vc db

L'autunno di Christina : Dramatic scene for soprano and large ensemble / Klas Torstensson

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr-solo fl/picc ob/eh cl-cl-b fg tpt h trb-t/trb-b pf 2perc 2vn vla vc db

A call to la source possible : Songs & Interludes 5, voor sopraan en 12 instrumentalisten, 1988 / Alex Manassen

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr 1111 1110 pf vl vla vc cb

Paradiso II : for baritone and orchestra / JacobTV - Jacob Ter Veldhuis

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: bar fl(pic fl-a) ob(eh) cl fg 2h trp trb perc hp pf 2vl vla vc cb

 

compositie

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Uitgavenummer: 13637
Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Tijdsduur: 2'25"
Aantal spelers: 10
Compositiejaar: 1999
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Brewaeys, Luc (Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

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