gerelateerde werken

Ghosting Pantaleon : Concerto for piano and large ensemble / Elmer Schönberger

Genre: Orkest
Subgenre: Piano en groot ensemble
Bezetting: pf-solo 3cl cl-b/cl-cb trp 2h trb tb 2perc cel hp cimb str

Unequal Parts (Version 2016) : for piano and ensemble / Martijn Padding

Genre: Orkest
Subgenre: Piano en groot ensemble
Bezetting: pf-solo fl/picc/gl-b ob cl cl/cl-b h trp trb trb-cb(tb) 2perc acc(bajan) 2vn vla vc db

Concerto 1800 : pour le piano-forte et orchestre de chambre / Wolf-Leonard Simonis

Genre: Orkest
Subgenre: Piano en groot ensemble
Bezetting: pf-solo 2ob 2cl fg str

Piano Concerto Nº 1 : for piano and chamber orchestra / Hanna Kulenty

Genre: Orkest
Subgenre: Piano en groot ensemble
Bezetting: pf-solo fl cl sax-s sax-a 2h trp 2trb tb perc g-el g-b

compositie

Ghosting Pantaleon : Concerto for piano and large ensemble / Elmer Schönberger

Overige auteurs:
Schönberger, Elmer (Componist)
Toelichting:
Around the year 1700, Pantal(e)on Hebenstreit (1667-1750), a versatile German musician, caused a sensation when he built a large dulcimer. According to some sources, it had no fewer than 276 strings, made of metal as well as gut. The instrument played a significant role in preparing the way for the development of the modern piano. Louis XVI, impressed by Hebenstreit’s contraption, suggested the instrument should be named after its inventor and therefore be called a Pantaleon or Pantalon. Johann Kuhnau, Bach's predecessor at the Thomaskirche in Leipzig and equally impressed, enjoyed the instrument’s ‘momentum dulcedinis et gratiae musicae’. One could say that the solo piano in Ghosting Pantaleon is shadowed by the cimbalom and its allies (harp, vibraphone, celesta).