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The Cherry Orchard (Višnjik) : Version for piano quartet / Isidora Zebeljan; redacted by Veljko Nenadic

Genre: Kamermuziek
Subgenre: Pianokwartet (piano, viool, altviool, cello)
Bezetting: vn vla vc pf

Drie oud-Perzische kwatrijnen : voor sopraan, oboe d'amore, altfluit en piano, (1956) / [tekst] (P.C. Boutens), Bertus van Lier

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: sopr fl-a ob-am pf

The flight : for mezzo-soprano, antique cymbals, bass clarinet, trumpet, piano and strings, 1977 / Rokus de Groot

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: sopr-m(perc) cl-b trp pf 2vl 2vla 2vc

EN/OF II : for soprano, recorder, electric guitar, violin, piano, percussion, bass clarinet, trombone and double bass, 1995 / on words by Alison Isadora and Robert Wycherley, Alison Isadora

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: sopr rec cl-b trb perc el.g pf vl cb

 

compositie

A Yawl on the Danube (Na Dunavu Šajka) : A scene for soprano, percussion, piano and string quartet / Isidora Žebeljan

Uitgavenummer: 18341
Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: sopr perc pf 2vn vla vc
Bijzonderheden: A Yawl on the Danube (1991) was composed as a commission for the Danube FEST, which had its premiere in 1991 in Belgrade, with Aneta Ilić as a soloist.
Tijdsduur: 5'00"
Aantal spelers: 7
Compositiejaar: 1991
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Zebeljan, Isidora (Componist)
Toelichting:
A Yawl on the Danube (1991) was composed as a commission for the Danube FEST, which had its premiere in 1991 in Belgrade, with Aneta Ilić as a soloist. In this composition Isidora Žebeljan uses also the text from the collection of poems Serbian Urban Poetry of the 18th and early 19th Century. And more directly than in her earlier compositions, Isidora applies melodic features of the folk music of Serbs from Vojvodina in this piece. The composition begins with an allusion to a bell tolling, dispersed over the river surface, from which the melancholic melody of a voice arises resembling the folk music of Vojvodina - but it is heard as if coming from the water itself. The solo piano in the middle part seems to take the listeners to an utterly different sound region, with its restless and unstable river flow, where the joyfulness of untamed rhythms is dominant, assuming the form of the sound of a pianola that is ‘out of control’ and imitating a pop song created from a nursery rhyme. Eventually, the river vortex subsides, and the now distant song can be heard again, suddenly fading away to the sound of the bell, which still appears to be flowing down the river, as if bells are ringing in its depths.
Borislav Čičovački

A YAWL ON THE DANUBE
The cold Danube keeps flowing on,
while slender yawls keep sailing by.
Pretty Pera sails the front boat,
Lovely Kata the boat from the hind.
The good lass arrived at the churchyard,
Lovely Kata picked some boxwood.
Peacock feathers sail with Pera,
Unwed lads with lovely Kata.
Pretty Pera wreathes his lasses,
For each lad a matching garland,
But, for Pera lovely Kata, and no other.

Bladmuziek
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