gerelateerde werken

Forbidden Music Regained : Volume 5

Genre: Onbekend

Sonatine III : voor piano / Henk Stam

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

Sonata No.1 : for two pianos / Erik Lotichius

Genre: Kamermuziek
Subgenre: Piano
Bezetting: 2pf

In opstand : voor piano, 1985 / Chiel Meijering

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

 

compositie

Passacaglia and Double Fugue : for two pianos / Julius Hijman

Uitgavenummer: 18680
Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf
Bijzonderheden: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series was initially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science. Special thanks to Troy Bennefield and funding by the David G. Pollart Center for Arts and Humanities at Washington State University. This publication was made possible thanks to a donation by Stichting Nederlands Muziek Instituut and Muziekschatten van de Omroep.
Aantal spelers: 2
Compositiejaar: 1958
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Hijman, Julius (Componist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

Bladmuziek
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