gerelateerde werken

Forbidden Music Regained : Volume 2

Genre: Onbekend

De reus en de ridder; De vloek van de farao; Joie de vivre; Ontsnapping aan de schaduw; Nixie; Herfstbui : voor diverse instrumenten / Mathilde Almekinders, Cathy van Eck, Kees Geluk, Tomas Hendriks, Fanny de Ruiter, Daan Verlaan

Genre: Kamermuziek
Subgenre: Viool en toetsinstrument; Strijktrio (viool, altviool, cello); Gemengd ensemble (2-12 spelers); Blaas en strijkinstrument(en)
Bezetting: vl pf - vl vla vc - ob cl perc pf vc cb - vl pf - cl vl vc (or other instr.) - cl hp 2vl vc

Variaties : voor ensemble, 1998 / Antal Sporck

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl cl(cl-b) perc hp pf vl cb

Zoomers : for clarinet, vibraphone and string orchestra / Chiel Meijering

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: cl vib 4vl 2vla 2vc db

 

compositie

Two Nocturnes : for violin and viola / Ignace Lilien

Uitgavenummer: 19223
Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: vl vla
Bijzonderheden: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series was initially financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science. Additional financial support was kindly provided by Stichting Nederlands Muziek Instituut and Het Von Brucken Fock Fonds.
Aantal spelers: 2
Compositiejaar: not dated
Status: volledig gedigitaliseerd (direct leverbaar)

Auteur(s):
Leo Smit Stichting (Partner)
Lilien, Ignace (Componist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.

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