gerelateerde werken

Strijkkwartet : (1922 - onvoltooid) / [red. Hans van Dijk], Jan van Gilse

Genre: Kamermuziek
Subgenre: Strijkkwartet (2 violen, altviool, cello)
Bezetting: 2vl vla vc

Anagrammen : voor orkest / Guillaume Landré

Genre: Orkest
Subgenre: Orkest
Bezetting: 2222 4330 timp 2perc str

Panta Rhei : Utopia for orchestra / Svyatoslav Lunyov

Genre: Orkest
Subgenre: Orkest
Bezetting: 3fl 3ob 2cl 2fg cfg 6h 4trp 3trb tb timp perc hp pf str

Dutch dub : for chamber orchestra, 1997 / Guus Janssen

Genre: Orkest
Subgenre: Orkest
Bezetting: 2222 2sax 2110 drumset str

 

compositie

Variaties over een St. Nikolaasliedje : for small orchestra / Jan van Gilse

Uitgavenummer: 19423
Genre: Orkest
Subgenre: Orkest
Bezetting: 2fl 2ob 2cl 2fg 4h 2tpt 3trb timp str
Bijzonderheden: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series was initially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science. This publication was made possible thanks to a donation by Stichting Nederlands Muziek Instituut.
Compositiejaar: 1909
Status: volledig gedigitaliseerd (direct leverbaar)

Auteur(s):
Leo Smit Stichting (Partner)
Gilse, Jan van (Componist)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades
numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.

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