gerelateerde werken

Divertimento : for piano four-hands / Leo Smit

Genre: Kamermuziek
Subgenre: Piano 4 handen
Bezetting: pf4h

Sextett : voor fluit, hobo (Eng. hoorn), clarinet, fagot, hoorn en klavier / [Ernest W. Mulder]

Genre: Kamermuziek
Subgenre: Blaassextet (blaaskwintet en piano)
Bezetting: fl ob(eh) cl fg h pf

Fluctuations : for flute, oboe, clarinet (B [flat]), bassoon, horn (F) & piano, 1991 / David Little

Genre: Kamermuziek
Subgenre: Blaassextet (blaaskwintet en piano)
Bezetting: fl(pic) ob cl fg h pf

Sextet : flauto, oboe, clarinetto, fagotto, corno [e] pianoforte, 1951 / Herman Strategier

Genre: Kamermuziek
Subgenre: Blaassextet (blaaskwintet en piano)
Bezetting: fl ob cl fg h pf

 

compositie

Sextuor : for wind quintet and piano / Leo Smit

Uitgever: Amsterdam: Donemus, cop. 1947
Uitgavenummer: 01946
Genre: Kamermuziek
Subgenre: Blaassextet (blaaskwintet en piano)
Bezetting: fl ob cl fg h pf
Bijzonderheden: Dedicated to the Concertgebouw Sextet that premiered the piece there on 14 December 1933. The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science.
Tijdsduur: 14'00"
Aantal spelers: 6
Compositiejaar: 1931-1932
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Leo Smit Stichting (Samensteller)
Smit, Leo (Componist)
Bevat:
Allegro vivace
Lento
Vivace
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

Bladmuziek
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