gerelateerde werken
Divertimento : for piano four-hands / Leo Smit
Genre:
Kamermuziek
Subgenre:
Piano 4 handen
Bezetting:
pf4h
Ballet suite Spleen : for orchestra, 1960, revision 1994 / Hans Kox
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
0110 1320 timp 2perc str
City Imprints : for orchestra / Klas Torstensson
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
picc 2fl 2ob eh 2cl cl-b cl-cb 2fg cfg 4h 3tpt 3trb(trb-tb/trb-b) 2tb-cb 4perc timp synth hp str
Berceuse héroïque : Arrangement for orchestra / Claude Debussy; arranged by Alphons Diepenbrock
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2ob 2fg 4h 3tpt 3trb 2hp timp perc str
compositie
Suite : for orchestra / Leo Smit; free arrangement and orchestration by Godefroid Devreese and Bob Zimmerman
Overige auteurs:
Devreese, Godefroid
(Arrangeur)
Leo Smit Stichting
(Samensteller)
Zimmerman, Bob
(Arrangeur)
Smit, Leo
(Componist)
Bevat:
Prélude (c. 3‘): Bob Zimmerman
Forlane (c. 3‘): Godefroid Devreese
Rondeau (c. 4’15"): Godefroid Devreese
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.