componist
Rick van Veldhuizen (*1994, Tilburg) although reared on pop and folk, discovered classical music at the age of 11. He started composing pretty much at that point.
Education: Starting in 2008, ...
gerelateerde werken
mais le corps taché d'ombres : for harp and string orchestra / Rick van Veldhuizen
Genre:
Orkest
Subgenre:
Harp en strijkorkest
Bezetting:
hp-solo str
Misericordia : for wind orchestra, (level 5), 2002 / Kees Olthuis
Genre:
Orkest
Subgenre:
Harmonieorkest
Bezetting:
3262 4sax 4332 euph timp 4perc cb
Tinker Bell : Version for harmony orchestra / Chiel Meijering
Genre:
Orkest
Subgenre:
Harmonieorkest
Bezetting:
picc 2fl 3ob 4cl cl-b fg 4sax 4fh 3tpt 3trb euph 3tb perc db
Vier schetsen : voor harmonieorkest, opus 72a / Géza Frid
Genre:
Orkest
Subgenre:
Harmonieorkest
Bezetting:
3151 3sax 2232 2crt 2altoh 2barh 4euph timp 3perc cb
compositie
(un)mensch : for symphonic wind orchestra / Rick van Veldhuizen
Toelichting:
(un)mensch is a piece about radicalisation, and the tendency of humans to seek extremes. In current times, as in times past, people have dismissed radical or extreme behaviours as ‘inhuman’ or ‘evil’ behaviour, in the process distancing our humanity from it. This refusal to accept extremes as naturally human leads us astray, ‘Othering’ people we perceive to be different, and losing our concept of a shared humanity.
This piece takes the biggest villain in history, Adolf Hitler, as its starting point. Often considered ‘inhuman’ so one doesn’t have to associate oneself with him, portrayals of this historical figure paradoxically also paint him as a madman, plagued by amphetamine addiction, tinnitus and mental disorder. In short, his evil is often portrayed as both inhuman and quintessentially human.
(un)mensch, in turn, seeks to radicalize existing musical styles and ideas. From Ligeti-like micropolyphonies to Glass’s arpeggios and the unofficial anthem of the Third Reich, everything gets turned into a blurred, topsy-turvy version of itself. At the centre of this is an extensive quote from Richard Wagners Das Rheingold: the emerging and explosion of an idyllic, nationalistic dream, the fair copy of which perished with Hitler in his bunker in 1945.
Rick van Veldhuizen
26 March 2015