componist

Smit Sibinga, Theo

Theodore Henri Smit Sibinga was born in Bandung and still a toddler when his family returned to the Netherlands. After high school, he started cello lessons with Bertrand Drilsma and ...

gerelateerde werken

Forbidden Music Regained : Volume 4

Genre: Onbekend

Trio à cordes no. 1 : pour violon, alto et violoncelle, opus 756, 1987 / Jan van Dijk

Genre: Kamermuziek
Subgenre: Strijktrio (viool, altviool, cello)
Bezetting: vl vla vc

De vloek van de farao : voor viool en piano, voor viool, altviool en cello, voor hobo, klarinet, grote trom, piano, cello en contrabas, voor viool en piano, voor klarinet, viool en cello, voor klarinet, harp, 2 violen en cello, 1996 / Cathy van Eck, Kees Geluk, Tomas Hendriks, Fanny de Ruiter, Daan Verlaan, Mathilde Almekinders

Genre: Kamermuziek
Subgenre: Viool en toetsinstrument; Strijktrio (viool, altviool, cello); Gemengd ensemble (2-11 spelers); Blaas en strijkinstrument(en)
Bezetting: vl pf - vl vla vc - ob cl perc pf vc cb - vl pf - cl vl vc (or other instr.) - cl hp 2vl vc

String Trio Nº 6 / Julius Röntgen

Genre: Kamermuziek
Subgenre: Strijktrio (viool, altviool, cello)
Bezetting: vn vla vc

compositie

Trio : for violin, viola and cello / Theo Smit Sibinga

Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.