gerelateerde werken
Second Concerto : for cello and orchestra / Henriëtte Bosmans
	
			Genre: 
		
		Orkest
	
			Subgenre: 
		
		Cello en orkest
	
			Bezetting: 
		
		vc-colo 2fl/picc 2ob 2cl 2fg 2h 2tpt timp perd hp str
	
Liquid Concert : for piano and ensemble / Mateo Soto
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Gemengd ensemble (2-12 spelers)
	
			Bezetting: 
		
		pf ob cl tpt trb vn vc db perc
	
While combing your hair : for mixed choir / Music & text: Maxim Shalygin
	
			Genre: 
		
		Vocaal
	
			Subgenre: 
		
		Gemengd koor
	
			Bezetting: 
		
		GK
	
Locus Alius : for recorder quartet and string quartet, 2000 / Calliope Tsoupaki
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Blaas en strijkinstrument(en)
	
			Bezetting: 
		
		2rec-a rec-t rec-cb 2vl vla vc
	
compositie
				Forbidden Music Regained : Volume 5
			
					
										Overige auteurs:
									
									
									Belinfante, Daniel
									(Componist)
								
							Bosmans, Henriëtte
									(Componist)
								
							Dresden, Sem
									(Componist)
								
							Fresco, Joan
									(Componist)
								
							Frid, Géza
									(Componist)
								
							Hijman, Julius
									(Componist)
								
							Kattenburg, Dick
									(Componist)
								
							Kok, Leo
									(Componist)
								
							Lachman, Hans
									(Componist)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Simon, James
									(Componist)
								
							Smit Sibinga, Theo
									(Componist)
								
							Tal, Marjo
									(Componist)
								
							Vredenburg, Max
									(Componist)
								
							Wertheim, Rosy
									(Componist)
								
							Leo Smit Stichting
									(Partner)
								
							
							Bevat:
						
						
						Daniël Belinfante: Nine Piano Works
						Julius Hijman: Weense Wals for orchestra
						Dick Kattenburg: Sonata for violin and piano
						Leo Kok: Three works for violin and piano
						Leo Kok: Trois danses exotiques for piano
						Leo Kok: Enfance for piano
						Hans Lachman: Piano Trio for violin, cello and piano
						James Simon: Lamento for cello and piano
						James Simon: Lamento, arrangement for violin and piano
						Theo Smit Sibinga: Plain Music for three woodwind instruments 
						Theo Smit Sibinga: Preludio for guitar 
						Henriëtte Bosmans: Eight Songs for voice and piano
						Marjo Tal: Messe / Mis for choir and organ
						Marjo Tal: Mass for choir and organ
						Marjo Tal: Eighteen French Chansons for voice and piano
						Marjo Tal: Seventeen French Chansons for voice and piano
						Max Vredenburg: Monodie messianique (II) for violin and piano
						Rosy Wertheim: La Chanson déchirante for mezzo-soprano, flute and piano
						Henriëtte Bosmans: Poème for violoncello and orchestra
						Sem Dresden: Suite for solo cello 
						Joan Fresco: Five Waltzes for piano
						Géza Frid: Sonata for solo violin 
						Géza Frid: Sonata for solo viola 
						Julius Hijman: Four Elizabethan Songs for soprano, flute and piano
						Julius Hijman: Passacaglia and Double Fugue for two pianos
						
							Toelichting:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding. 
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.