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Forbidden Music Regained : Volume 5

Genre: Onbekend

Non-lecture IV : violin-solo / Will Eisma

Genre: Kamermuziek
Subgenre: Viool
Bezetting: vl

Sonata : per violino solo / Christian Blaha

Genre: Kamermuziek
Subgenre: Viool
Bezetting: vn

Partita : per due violini, opus 69, (1966) / Marius Flothuis

Genre: Kamermuziek
Subgenre: Viool
Bezetting: 2vl

 

compositie

Sonata : for solo violin / Geza Frid

Uitgever: Amsterdam: Donemus, [19--?]
Uitgavenummer: 00699
Genre: Kamermuziek
Subgenre: Viool
Bezetting: vl
Bijzonderheden: Opus 18. Dedicated to Sándor Végh. The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science. This publication was made possible thanks to a donation by Stichting Nederlands Muziek Instituut and Het Von Brucken Fock Fonds.
Tijdsduur: 16'00"
Aantal spelers: 1
Compositiejaar: 1936
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Frid, Géza (Componist)
Bevat:
Allegro molto
Andante
Presto
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

Bladmuziek
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